So, I'm seeing lots of dye jobs running around Montreal. I have to say, they kinda remind me of the circus clowns I saw as a child in Omaha! Perhaps the penchant for loving clowns, which runs a bit amok here, is the subconscious reason for these ladies (of ALL ages mind you) to move to so unnatural a color? Forgive me, colour? Just a random thought for the beginning of June...
I've got the detailed La Boheme staging schedule done (I can tell you what we're doing at 4:30 the first Wednesday of January!), the Black Box festival schedule done (even though I'm not sure exactly what we're doing...), the Imeneo schedule done (that one's tricky and will be a huge challenge.), and the classes for opera all scheduled.
The only time I've seen it and worked on it was at Glimmerglass. It had a GREAT cast: Michael Maniaci, John Tessier, Amanda Pabyan, Meghan Monaghan, and Craig Philips. They sang it brilliantly, but the production was, how shall I say, less than Glimmer's best. Alden chose to do his distorted world view - as in physical distortion = emotional pain - and it failed, for me, almost as much as the horrid double-bill where the natives attacked the clown... I'm hoping to return to the story and see what it brings. The characters are interesting, but really -- the music is just sublime; some of the best Handel wrote. As far as what I'll do with it as a director, I'm not in the groove yet - no big ideas, just local ones. I've got a few months before anything has to be decided.
The Bohemian Rhapsody:
However, there ARE big ideas running around this head where La Boheme is concerned! Opera McGill produces it this January - full production, big chorus, full orchestration - and we're setting down to design it next week. By "we're" I mean Vincent Lefevre (sets), Ginette Grenier (costumes), and me. Ginette's thinking 1830s. I'll see what she shows and go from there. The other exciting news is the documentary we're going to make surrounding this production - from next week's design meeting to the fall auditions, to the coachings, fittings, stagings, and stage rehearsals. It'll all be put up on Opera McGill's new website - which is being designed over the summer. Look for even more surprises to happen around Montreal before AND after the production!